Tag Archives: Foley Props

Sound of Cinema, Sound of Panic

Oh hello. It’s been a while since I wrote some words on here. I’ve been setting aside free time to learn Chinese and watch Breaking Bad (still haven’t seen season 5, please don’t spoil anything please, please, please). Anyway, by the time I’ve gotten through all of that, I’m a bit reluctant to look at the computer any longer.

Well, this is a shame as there’s been so many cool things happening over the past year. One of which, I thought I’d share tonight.

At the close of 2013’s beautiful summer (it was bucketing down outside), Alex and I appeared on BBC Radio 3’s In Tune live broadcast at Southbank’s BFI theatre 1, launching the broadcaster’s Sound of Cinema season. The producer asked Alex to discuss sound design and he invited me along to talk about Foley. It was around this time that the first nerves wafted over.

This was rehearsal, there were a few more people there when it came to broadcast.

This was rehearsal, there were a few more people there when it came to broadcast.

On the day of the broadcast, we were in Soho with the Mind Candy sound crew mixing the Moshi Monsters movie (ah man, that’s a whole different post, so much fun) and so had the capacity to accumulate some interesting items to audition on stage. We sourced some rhubarb, a melon, some knives and forks and Alex’s toy plastic tennis racquet. My good friend and fellow sound editor Patch also came up trumps and donated his (empty) wallet and a builder’s trowel.

So here’s the actual broadcast. Patch was good enough to record this for me and it’s not on the iPlayer anymore so I figured it’s cool to share.

So a few things happened…

1. I forgot how to form sentences

2. I forgot how to say words without sounding like a 1950s newsreader

3. I declared that we use leather for creaky floorboards (wat?)

4. I forgot that wet leather does not creak

5. Alex smashed it

Despite points 1-4, it was still a whole bunch of fun. Once I’d gotten over the intensity of my heart beating at around 80 decibels, the sight of a room full of people hearing about sound design and Foley, possibly for the first time, was brilliant. They were either really interested in our craft or had mastered the art of looking really interested in two people bash things around on a stage whilst waiting for the classical music to return.

The fruity aftermath

The fruity aftermath

So yeah. That happened. I think the best thing was my mum and dad were listening at home and I think they finally understood what us noisemakers do every day. Thanks to Alex (and the radio show producers) for inviting me along and Patch for the mute wallet.

The Right Type

I’ve been after a bloody typewriter for ages. Not exactly sure why, I’ve never needed to use one. They seem to be staple accessories in Foley stages and I figured it’s best to have one than get caught short. They are also rather delightful.

Here is the latest acquisition.

It’s a bit broken, that’s okay

It’s pretty, not as much as the attractive metal-framed beasts found hipster’s living rooms but at £5 and housed in a sweet leather case, it’s a steal and a welcome addition to the family. I also managed to find two pairs of mens shoes that fitted a treat and ticked two essential boxes.

The first pair have a slight heel (and at a size six, the ability to slightly crush my size seven feet) which offer a minor clop reminiscent of a subtle ladies heel or a prominent man’s shoe. The second pair are much flatter but with smooth leather soles offer a distinguished and commanding footstep, similar to the brown brogues featured at the top of this blog, without the distracting and unusable weight that those same beautiful shoes find themselves hampered with.

I’m sharing this boring update because it’s something that I’ve had to come to terms with in regards to my shoe collection. Many of the various shoes that I’ve collected are absolutely ideal when walked in a guerrilla fashion (the alleyway behind the block of flats, the stairwell in an office building), however in the controlled environment of a Foley stage, they sound ridiculously over the top. When we were recording Fast Girls, the majority of my shoes remained in my holdall, two pairs of subtle flats were called upon above all others.

This is a bit of a nuisance as I’m having to purchase shoes that I already assumed to be covered, replacing exaggerated ladies heels for shoes that have a heel without the capacity to distract and take prominence over everything else in the mix. Thankfully I found some amazing thrift stores in the midland’s Leamington Spa, this is always the case with more affluent places, the shoes tend to be of a higher quality and therefore offer a more appropriate sound. I’m hoping my guerrilla shoes and these new acquisitions will complete the collection and offer more options when in the pits. In the meantime, I’ve got to find somewhere to put the unnecessary, yet treasured typewriter.

Wasting Business Cards

Last year I was creating some sound effects for Tootles, an kids cartoon by my good friend Alex Amelines. As a sweet gesture, Alex created a lovely business card design so I could refrain from thrusting my iPhone in the direction of people I’d meet, bleating excuses of a terrible default Vistaprint purchase and pleading for their Twitter username instead.

I finally took 15 minutes out of an admin day to get the designs printed with Moo and joined the professional pool of freelance creatives who can manage the simplest tasks of passing on contact details and understanding the concept of branding.

The week that they arrived fresh, crisp and stacked ready for distribution, I was offered a full time job by Creativity Media. I now have 150 fresh, crisp and wonderfully designed business cards that I’m probably never going to use.

It was in my favourite colour and everything!

So the silver lining I guess is that I will now be working full time for Creativity Media as a Foley editor, receiving training in effects editing, dialogue editing and all sorts of sound post activities. This is no means a sign off from the Foley Diaries though, if I don’t pour my babbles about props n’ cloths on here, I’ll inflict it upon friends and family which will result in eye rolls and social shuns.

So on that note, look at some sexy new props acquired in China. The bells, they are delightful.

The scary tweezer looking thing is an old, weird razor, or so the vendor claimed

Ropes, ratchets and more ropes? That’ll be nautical Foley then.

Everything has been used except the dog ball/rope toy

In all seriousness, I’m absolutely delighted to be doing this full time and getting to push myself both in terms of improving my Foley editing and in learning new sound post skills, becoming more useful to the company and generally discovering how it feels to REALLY appreciate the weekends. Wish me luck, yo.

Creativity Media are on both Twitter and Facebook. I’ll be updating the accounts here and there so do say hello.