Last week I took the two hour train ride back and forth to Twickenham Film Studios whilst the sound is currently being mixed for Outside Bet. I’ve generally spent these few days watching the process and making myself useful with occasional tasks here and there, one of which ended being rather fun.
The film is set in mid-1980s London and follows a group of friends caught up in the Thatcherite-era of privatisation and rising unemployment, who invest their savings in a racehorse with a few fingers and toes crossed on its sucess. One scene in the film involves a character playing an old fruit machine, similar to that seen below, his success with the machine mirroring his success in life. It’s not exactly a major plot piece in the film, however the fact he’s losing money in the game helps to further the idea of the friends being down on their luck.
Alex had already fitted some arcade sounds to demonstrate the loss, however he asked me to record some vocal lines which really drove the point home and mocked the character at the same time. We recorded myself, Richard and Alex voicing ‘you lose, ‘loser’ etc., for further processing to place it in the machine, however many of the third party and native effects within Pro Tools weren’t treating the vocal snippets appropriately. We needed the lines to be audible, however they also needed to be degraded and stripped of life and humanisation.
Back in the days of university and employment just after graduating, I would use Logic Pro as my DAW and remembered the effective way its host plug-ins would dramatically alter sound. A pleasant pay off for being utterly irritating to use as an an audio editor. I brought it in the next day and opened up Bitcrusher, EVOC Filterbank, Ringshifter and the Fuzz-Wah plug-ins and had a bit of a play.
My own vocals were thrown into Vocal Transformer for pitching down to a deeper, male presence. It then fell pray to a little bitcrushing and filtering. Here’s a little before and after.
Richard bellowed “you fail” in my general direction, I bitcrushed it and filtered the remains, here are the dry and wet versions.
Alex gave me a mighty fine “loser” to deal with, this was bitcrushed, filtered and treated with the ringshifter. Here’s the before and after.
Here’s some exceptionally interesting screen grabs. The Fuzz-Wah I kept the preset, think I had a fiddle around with the EVOC Filterbank and Ringshifter. Definitely had a fiddle with the bitcrusher, kept the distortion low but downsampled the heck out of the sound. A little different to the Foley editing for sure.
I ended up submitting 21 versions, as we had all vocalised different ways of pronouncing and delivering the lines, however the effect upon Richard’s line above appeared most effective in maintaining some clarity whilst aggressively attacking the sound. It was a small part to play in the final mix stage but was a pleasure to work on.